翻訳と辞書
Words near each other
・ The Woman in Question
・ The Woman in Red
・ The Woman in Red (1935 film)
・ The Woman in Red (1984 film)
・ The Woman in Red (soundtrack)
・ The Woman in Room 13
・ The Woman in Room 13 (1932 film)
・ The Woman in the Advocate's Gown
・ The Woman in the Car
・ The Woman in the Case
・ The Woman in the Case (1916 American film)
・ The Woman in the Case (1916 Australian film)
・ The Woman in the Case (play)
・ The Woman in the Cupboard
・ The Woman in the Dolphin
The Woman in the Dunes
・ The Woman in the Fifth
・ The Woman in the Hall
・ The Woman in the House
・ The Woman in the Moon
・ The Woman in the Room
・ The Woman in the Rumor
・ The Woman in the Septic Tank
・ The Woman in the Suitcase
・ The Woman in the Window
・ The Woman in the Zoot Suit
・ The Woman in White
・ The Woman in White (1912 film)
・ The Woman in White (1917 film)
・ The Woman in White (1929 film)


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The Woman in the Dunes : ウィキペディア英語版
The Woman in the Dunes

is a 1964 Japanese film directed by Hiroshi Teshigahara and starring Eiji Okada and Kyōko Kishida. It received positive critical reviews and was nominated for two Academy Awards. The screenplay for the film was adapted by Kōbō Abe from his 1962 novel of the same name.
==Plot==
A schoolteacher, Junpei Niki (Eiji Okada), is on an expedition to collect insects that inhabit sand dunes. When he misses the last bus, villagers suggest he stay the night. They guide him down a rope ladder to a house in a sand quarry where a young widow (Kyōko Kishida) lives alone. She is employed by the villagers to dig sand for sale and to save the house from burial in the advancing sand.
When Junpei tries to leave the next morning, he finds the ladder removed. The villagers inform him that he must help the widow in her endless task of digging sand. Junpei initially tries to escape. Upon failing he takes the widow captive but is forced to release her in order to receive water from the villagers.
Junpei becomes the widow's lover. He still, however, desperately wants to leave. One morning, he escapes from the sand dune and starts running while being chased by the villagers. Junpei is not familiar with the geography of the area and eventually gets trapped in some quicksand. The villagers free him from the quicksand and then return him to the widow.
Eventually, Junpei resigns himself to his fate. Through his persistent effort to trap a crow as a messenger, he discovers a way to draw water from the damp sand at night. He thus becomes absorbed in the task of perfecting his technology and adapts to his "trapped" life. The focus of the film shifts to the way in which the couple cope with the oppressiveness of their condition and the power of their physical attraction in spite of — or possibly because of — their situation.
At the end of the film Junpei gets his chance to escape, but he chooses to prolong his stay in the dune. A report after seven years declaring him missing is then shown hanging from a wall, written by the police and signed by his mother Shino.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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